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табы "Opus 6 No 11 Etude 17"
E-|---Song:-Etude-17-(Opus-6-No-11)----------------|
A-|---Composer:-Fernando-Sor-----------------------|
D-|---Transcription-by:Christian Liang-------------|
G-|---E-Mail:christian.liang@gmail.com-------------|
B-|---http://www.classclef.com---------------------|
E-|---Enjoy!---------------------------------------|
Etude 17 (Opus 6 No. 11) - Fernando Sor (1778-1839)
Opus 6 No 11 also known as study 17. Segovia categorized 20 fernando sor's songs as
or study. This Study in E is full of arpeggios. You will get to play the arpeggio in the
key and conclude in the Minor in part B.
Once you have learnt the basic pattern, the right hand is taken care of. Devote some
to familiarize yourself to the numerous left hand chord transitions.
Towards the latter part of opus 6 no 11, there are some barre chords that require a
stretched hand.
The bigger the hand, the better. Finally, this song tests your endurance as you will be
plucking (right hand) and changing chords after chords (left hand).
There are thankfully 2 pauses during the song to give your hand a break.
Technique and Tips
Standard Tuning EADGBE. 87 Bars. No repeat. 3/4 Time Signature.
Hold Bass Note as long as a full measure. The right hand plucking has some variations
you can go auto pilot once you have memorized the patterns.
Pay special attention to the left hand which will be doing most of the work. If you have
with a particular chord, look back 1 measure
and if possible alter the fingerings. This allows another approach for your left hand to
to that awkward chord.
Part 1: E Minor
Bar[12] Hinge Barre Chord. Flatten or pivot your index to barre string below.
Bar[14] Suspending the bass note with this Barre Chord while doing the pinky stretch is
difficult.
Bar[22] Double Barre. This Barre Chord requires pinky to Barre the treble 3 strings also.
Part2: E Major
Bar[60],[68] With your third finger on C#, this is quite a stretch. If you want you can
with the fourth finger but they will be a break in the preivous melody
------
Legend
------
== Hold/Suspend Note
II3 Barre chord bottom 3 strings
Etude 17 (Opus 6 No. 11) - Fernando Sor (1778-1839)
[1]
e|-------------0-----0-----|-0======================-|-------------0-----3-----|
G|-------0-----------------|-------0-----0-----0-----|-------0-----------------|
B|-----0-----0-----0-----0-|-----0-----0-----0-----0-|-----0-----0-----0-----0-|
D|---2-----2-----2-----2---|---2-----2-----2-----2---|---2-----2-----2-----2---|
A|-------------------------|-------------------------|-------------------------|
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[4]
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A|-------------------------|-------------------------|-------------------3====-|
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[7]
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[10] III2.............
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[13]III.................... III5................... III5....................
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[16] II5.....................
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[19]
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[22]III5....... V3.........
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[25]II5........................... V3......... I3.........
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[28] III..................... II5......................
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[31] V4................................................
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[34] III.....................
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[37]III....................
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[40]
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[43]
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[46] II5.....................
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[49] V3......... III3........ I...........
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[52]
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[55]
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[58] II5............................
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[61] II5.....................
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[64]....
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[67]II5.............................
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R p i m a i m a i m a i m a i m a i m a i m p i m p i m a i m a i m a i m
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2 3
[70] II5.....................
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A|-2================-2====-|-2======================-|-------------------------|
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R a i m a i m a i m p i m p i m a i m a i m a i m a i m a i m a i m a i m
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L 4 3 1 3 1 3 1 2 3 1 1 3 1 4 3 1 4 3 1 4 3 1 2 1 4 2 1 3 2 1 2 1
2
[73]II4.. II5.....................
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B|-----------------4-----2-|-----1-----1-----1-----1-|-----2-----2-----2-----2-|
D|---2-----2-----2-----2---|---2-----2-----2-----2---|---4-----4-----4-----4---|
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| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
R a i m a i m a i m a i m a i m a i m a i m p i m p i m a i m a i m a i m
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L 1 1 4 1 2 4 1 3 4 2 3 4 3 1 3 1 3 1 2 3 1 1 3 1 4 3 1 4 3 1 4 3 1
2
[76]
e|-0======================-|-------------0==========-|-------------2-----0-----|
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B|---1-----1-----1-----1---|-----2-----2-----2-----2-|-----1-----1-----1-----1-|
D|-------2-----2-----2-----|---4-----4-----4-----4---|---2-----2-----2-----2---|
A|-------------------------|-------------------------|-------------------------|
E|-0======================-|-0======================-|-0======================-|
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
R a m a i m a i m a i m a p i m a i m a i m a i m p i m a i m a i m a i m
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[79]
e|-------------4-----2-----|-------------2-----0-----|-------------0==========-|
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D|---1-----1-----1-----1---|---2-----2-----2-----2---|---4-----4-----4-----4---|
A|-------------------------|-------------------------|-------------------------|
E|-0======================-|-0======================-|-0======================-|
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
R p i m a i m a i m a i m p i m a i m a i m a i m p i m a i m a i m a i m
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[82]
e|-------------2-----0-----|-------------4-----2-----|-------------0==========-|
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B|-----1-----1-----1-----1-|-----2-----2-----2-----2-|-----1-----1-----1-----1-|
D|---2-----2-----2-----2---|---1-----1-----1-----1---|---2-----2-----2-----2---|
A|-------------------------|-------------------------|-------------------2====-|
E|-0======================-|-0======================-|-0======================-|
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
R p i m a i m a i m a i m p i m a i m a i m a i m p i m a i m a i m p i m
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[85]
e|-------------0==========-|-------------0==========-|-0======================-|
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B|-----1-----1-----1-----1-|-----1-----1-----1-----1-|-------------------------|
D|---2-----2-----2-----2---|---2-----2-----2-----2---|-------------------------|
A|-------------------2====-|-------------------------|-------------------------|
E|-0======================-|-0==========-0==========-|-0======================-|
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
R p i m a i m a i m p i m p i m a i m a i m a i m a
p p
L 3 1 3 1 3 1 2 3 1 3 1 3 1 3 1 3 1