Tracy Chapman - album - аккорды

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Tracy Chapman
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     [PREV]   [UP]   [NEXT]                      GUITAR / Tracy Chapman

                                GUITAR CHORDS

                                TRACY CHAPMAN

----------------------------------------------------------------------------

                      [Image]Across The Lines
                      [Image]Baby Can I Hold You
                      [Image]Fast Car
                      [Image]For My Lover
                      [Image]For You
                      [Image]If Not Now
                      [Image]Mountains O' Things
                      [Image]She's Got Her ticket
                      [Image]Talkin 'Bout A Revolution
                      [Image]Why

----------------------------------------------------------------------------

                              ACROSS THE LINES

Pretty much just four chords, F#m (244222), E (022100), Bm (x244322) and D
(xx0232). If I recall correctly there's a break that goes between an A and
A(add9) (x02420) and back to A, but am not sure. Also not sure, but in the
outro I think she's playing G and A.

           ------------------------------------------------------

{title:Across The Lines}
{st:by Tracy Chapman}

Across ...[F#m] ..
Who ..[E]..
[Bm]Under ..
[D]Over ..
[G]That ..[A] [A(add9)] [A]

----------------------------------------------------------------------------

                             BABY CAN I HOLD YOU

{title:Baby Can I Hold You}
{st:by Tracy Chapman}


      D                 A7sus   A7
e=====2===2==2=0===2===|0===0===0========
B==T==3===3==3=3===3=0=|3===3=0=2========
G==A==2===2==2=2===2===|0===0===0========
D==B==0===0==0=0===0===|2===2===2========
A======================|0===0===0========
E======================|=================

Sorry[D]
[A7sus]Is .[A7]..s[Em]ay
Y[A7sus]ears ..[A7] and .[D].
[A7sus]Words ..c[A7]..easil[Em]y
[G]Like .[A].[G]..so[A]rry

{c:chorus}
But ..
[Em]baby, ..[G]..[D]tonight.
[Em]Baby, ..[G]..[Bm]..words,
ooh, at A] time, ...
[D] === [Em] === [F#m] === [G] === [A] repeat

verse

{c: to chorus}

           ------------------------------------------------------

          D                 A7sus   A7
e-----2---2--2-0---2---|0---0---0--------
B--T--3---3--3-3---3-0-|3---3-0-2--------
G--A--2---2--2-2---2---|0---0---0--------
D--B--0---0--0-0---0---|2---2---2--------
A----------------------|0---0---0--------
E----------------------|-----------------

This is played and repeated twice, the second time it's repeated the vocals
come in: Sorry- is all that you can't say. However on say an Em chord is
played. Repeat the chord changes, but go to a D on still in years go by
and still. Repeat once more landing on an Em, then change to a G, then A
each time sorry is repeated. Watch for the time signature changes around
the G. This entire sequence is repeated, with the exception of the opening
strums before the singing begins. Of course, substitute the next verses,
i.e. Forgive me...

The remaining part of the song goes:

Em          G          D
Baby, can ...
Em         G            Bm
Baby, if ..,
                           A
oo- at ..,
                          D   Em   F#m   G   A repeat.
you'd ...

----------------------------------------------------------------------------

                                  FAST CAR

e-----------0----0----------|5------4----4--------
B--T------------------------|---------------------
G--A--6-7-6-----------------|---------------------
D--B--7-----7----------7----|7------7--------7----
A---------------------------|---------------------
E---------------------------|---------------------

Repeat this over and over, until the bridge I remember we were driving....

D for one measure, A for one measure, F#m(244222) for a measure, Esus
(022200) for a measure, then a measure in which a D and F#m are given equal
time, followed by a measure of E. Repeat the last two measures, then play
one with a D and E. Back to the repeating riff.

           ------------------------------------------------------

This is what I've got for Fast Car by Tracy Chapman:

I'm not going to post the words, b/c I don't know them. But this is a decent
compromise on the continual riff throughout the song, considering I can't
play bass and acoustic guitars at the same time. Oh, and yes, I did this by
listening to the CD.

         1   2   3   4    1   2   3   4      repeat...

e---|-------0---0----|-5-----4---4----|
B-T-|-2-3-2----------|----------------|
G-A-|-2-----------2--|-----2-------2--|
D-B-|-0--------------|----------------|
A---|-------0--------|----------------|
E---|----------------|-2-----0--------|

I apologize if my notation is unconventional, but this is my first TAB post
attempt. It's a little tricky to play this version, but I can manage it by
keeping my index finger on the G, and by cheating with my thumb for the E
bass notes.

----------------------------------------------------------------------------

                                FOR MY LOVER

I use ^ for hammer-on, and the d and u to indicate downward and upward
strums. Here's the intro:

          Em              G                D           C7M  
          d   u           d   u            d   u   d   u
e-----0---0-----------3---3-----------|2---2---2---0---------|
B--T--0---0-----------0---0-----------|3---3---3---0---------|
G--A--0---0-----------0---0-----------|2---2---2---0---------|
D--B--2---2-------0---0---0-------0---|0---0---0---2---------|
A-----2---2---0^2-----2---2---0^2-----|------------3---------|
E-----0---0-----------3---3-----------|----------------------|

The intro is repeated, and then:

Em                G
Two weeks ..
D              A
For my ...
Em              G
Twenty ...
D             A
For my ..
C
And ..
A(add9) (x02420)
I'm ..
D
They ...
C
love ...
Em
Things ..---
A(add9)
Em
I'd ..,
G
risk ...
D
you- .....
C7M   (x32000)
you- ...

Repeat this progression with these lyrics:

verse

Stay on the C7M   the second time through an extra measure, for:

C7M  
        I ..
Em
        and ..
D
        deep ..
C7M  
        man ..

Keep with these chord changes for the remaining lyrics:

I ..
and ..,
is ..
sacrifices ...

Now repeat the from the Two weeks in a Virginia jail verse.

           ------------------------------------------------------

{title:For My Lover}
{st:by Tracy CHAPMAN}

{c:intro}

        v  ^          v  ^      v  ^  v     ^
        D=2==2======0=  ==0==0======0=
         Em A=2==2==0_2== G ==2==2==0_2==   D       C7M  

{c:chorus}
[Em]Two ..Vir[G]ginia ..
[D]For ..f[A]or ...
[Em]Twenty ..[G]..
[D]For ..[A]for ....
[C]And ..
[Aadd9]I'm ... (x02420)
[D]They ..
any [C]...
[Em]Things ...[Aadd9]
[Em]I'd ..,
[G]risk ..you
[D]you, ....
[C7M  ]you... (x32000.

verse:

[C7M  ]I ..
[Em]and ..
[D]deep ..
no [C7M  ]..
I follow ..
and ..,
is ..,
the ..

{c:(chorus)}

----------------------------------------------------------------------------

                                   FOR YOU

e----------------------|--0-------------|----------------|--------------|
B--T--3---0-0------0---|3---0-2-----2---|3---0-1-----1---|1---0-3---3---|
G--A----0--------2---0-|----------2---2-|--2-------0---0-|--0-----2---0-|
D--B-------------------|----------------|----------------|--------------|
A-----2-----0----------|2-----0---------|0-----3---------|3-----0-------|
E----------------------|----------------|----------------|--------------|

This is what is played in the intro, but watch for changes in the pattern
once she begins singing, as the order of the bars varies. Perhaps despite
first appearances, not very complex left hand fingering.
Basically, finger-picking between G, D, and C chords. Pattern changes to
strumming right before Look at me losing control,.
Use Em (022000), C (x32010), Am7 (x02010) and another C. Upon emotions the
finger picking pattern is resumed.

----------------------------------------------------------------------------

                                 IF NOT NOW

Use a capo barred at the second fret to match the pitch of this one. Follow
the transcription as you would any TAB, disregarding the fact that you're
two frets up. A pitch of 2 is played by plucking the notated string two
frets above the capo, not the nut.

          G7M                                      D
F-----0------0--0------0--|0--0----0----2-----|0------0--0------0--|0--0----0---0----
C#-T--1------1--1------1--|0--1----1------3---|1------1--1------1--|0--1----1-----1--
A--A--2------2--2------2--|2--2----2--------2-|0------0--0------0--|0--0----0-------0
E--B--3------3--3------3--|3--3----3----------|2------2--2------2--|2--2----2--------
B-------------------------|-------------------|3------3--3------3--|3--3----3--------
F-------------------------|-------------------|--------------------|-----------------

This is repeated a few times; when Tracy sings then- why make your
promises the chords change between D, Bm, A, Fm, and G. Again remember that
the song is capoed at the second fret, so the shape of the D will be a C,
the Bm and Am, etc. In case it's still unclear, here are the actual chord
forms to shape:
D (x32010), Bm (x02210), A (320003), F#m (022000, and G (133211).

Change to an F#m7 (010000) when the sequence is repeated immediately
thereafter. Change between G and A on the bridge to the repeat.

----------------------------------------------------------------------------

                             MOUNTAINS O' THINGS

Use the following chords and repeat them over and over:

Am, Dm, F and G.

----------------------------------------------------------------------------

                            She's Got Her Ticket

{title:She's Got Her Ticket}
{st:by Tracy Chapman}

[C]She's ..
[G]I ..
[Am]I ..[C]to ..[Am]
No ..
Persuade ..
She ..

This scheme is repeated until the end of the song.

----------------------------------------------------------------------------

                          Talkin 'Bout A Revolution

G(320003), Cadd9(x32030), Em (022000) and D(xx0232).

To be repeated until the end of the song.

           ------------------------------------------------------

{title:Talkin' Bout A Revolution}
{st:Tracy Chapman}

{define: Cadd9 0032030}
{define: Dsus4 0X00233}

{c:chorus}
{soc}
D[G]on't ..[Cadd9]..
[D]They're ..[Dsus4]a revolu[G]tion
It[Cadd9]sounds [D]..[Dsus4]..

repeat
{eoc}

verse

{c:chorus}

Poor ..
And ..
Poor ..
And ..

Don't ..
You ...
Oh ...
Run, ...
Finally ..
Talkin' ...

           ------------------------------------------------------

Meaning of the symbols: ^ strike the strings down, v strike the strings up.

                G     G     Cadd9              Em         D
                                                 _______                       _______
                |     |    |    |  |  |       |    |    |    |  |  |
        e|-------------------0---------|--------------2----3--2---------|
        b|--0-----0-----3----3--3--0---|--------------3-------3--0------|
        g|--0-----0-----0-------0--0---|---0----0-----2-------2--0------|
        d|--0-----0-----2----------0---|---2----2-----0----------0------|
        a|--2-----2-----3--------------|---2----2-----------------------|
        E|--3-----3--------------------|---0----0-----------------------|
                        ^     ^     v    v  ^  v       ^    ^     v    v  ^  v

These 2 measures are repeated all along the song.

----------------------------------------------------------------------------

                                    Why

The chords used in this are Bm (x24432), G (320003), A (x02220),
D(add9)(xx0230), and A(add9)(x02420).
The intro is merely alternating between Bm and G, and adding hammers-on. In
the case of the Bm hammer-on the three fingers other than the one barring at
the second fret. With the G hammer on the pointer finger.

After that:

Bm
Why do ...
G                                         A
Why, ...
Bm
Why ...
G                             A
Why is ..
D(add9)
   Love ..
A(add9)
   war ..
Bm
   no ..
G
   we're ..-
Bm
body's ..
G
all ..
A
some ...

Then repeat.

           ------------------------------------------------------

{title:Why}
{st:by Tracy CHAPMAN}

[Bm]Why ...
[G]Why ..[A]there ..
[Bm]Why ..
[G]Why ..[A]when ..
[Dadd9]Love ..
[Aadd9] war ..
[Bm] no ..
[G]we're ...

But, some[Bm]body's ..
Amidst [G]all ..
there're [A]some ...

Why ...
... When she's in her home

Love ..
War ..
No ..
And ..

But ..
The ..
When ..
And ..

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