Paul McCartney - Press - аккорды

[ Предположительная тональность: F#m ]


Press
Paul McCartney (from "Press To Play")


Standard tuning
Capo: 3
Tab legend: h - hammer on

Intro:
e|---------------------|--------------------|---------------------|
B|-----------------2---|--------------------|-----------------2---|
G|-------------2-4---4-|-----------2-4-2----|-------------2-4---4-|
D|--------2-4----------|-------2-4----------|--------2-4----------|
A|-0-2h4---------------|-0-2h4--------------|-0-2h4---------------|
E|---------------------|--------------------|---------------------|

e|-----------------------------|---------------------|---------------------|
B|-----------------------------|---------------------|---------------------|
G|-----------2-4-2-------------|---------------------|---------------------|
D|-------2-4-------------------|---------------------|---------------------|
A|-0-2h4-----------------------|---------------------|---------------------|
E|-----------------------------|---------------------|---------------------|
                     Say "one,"      Say "two,"   Say "three,"

| A | C#m | F#m | D | Bm | A | A |

Verse 1:
|A              |C#m                      |F#m
 Darlin' . . . I love you very, very, very much . .
      |D                        |A          |A
 And I really am relying on your touch . . . . . .
         |C#m             |D
 But with all these people listening in
        |Bm                     |E        |
 I don't know where I ought to begin . . .

Pre-chorus 1:
|A                        |D         |
 Maybe we could hit upon a word . . .
|A                                |D
 Something that the others haven't heard . . .
         |Bm                 |E                  |
 When you want me to love you . . just tell me to

Chorus:
|A          |C#m                    |F#m
 Press . . . right there, that's it. Yes . . .
             |D                         |Bm                      |
 Ah, when you feel the stress don't just stand there, tell me to
|A               |A
 Press . . .      . . . .
  (press, press) (tell me to press, tell me to press)

Bridge:
        |D                    |C
 You can give me what I want I must confess
   |D                      |C                |
 My body needs attention my mind is in a mess
|C           |C#m            |C#m     |
 Oklahoma was never like this . . . .
|E                      |C#m             |
 Never like this, it was never like this
|E                          |C#m             |
 Ever like this. Say, was it ever like this?
|C        |C                 |F          |
 Oklahoma  . . was never like this . . .
|F                      |A         | A | F#m | D | Bm | A | A |
 . Ah, it was never like this . . .

Verse 2:
|A         |C#m                         |F#m
 Darlin', I know it really wouldn't be a crime
     |D                             |A         |A
 If I say I want to love you all the time . . . . . .
         |C#m             |D
 But with all these people listening in
        |Bm                     |E        |
 I don't know where I ought to begin . . .

Pre-Chorus 2:
|A                              |D
 A-maybe we should have a secret code . . .
  |A                          |D
 Before we both get ready to explode . . .
         |Bm                 |E                        |
 When you want me to love you . . well, just tell me to

Chorus:
|A                                   |C#m                      |F#m
 Press . . .                          a-right there, that's it. Yes . . .
  (Tell me to press, tell me to press)
         |D                         |Bm                     |
 When you feel the stress don't just stand there, tell me to
|A                                    |A      |
 Press . . .                           . . . .
  (Tell me to press, tell me to press)

Bridge:
|D      |C      |D             |C                  |
 . . . . . . . . . . . . Oh my, my (unintelligible)
|C             |C#m            |C#m     |
 . Oklahoma was never like this . . . .
|E        | C#m | E | C#m | C | C | F | F |
 Ah . . .

Chorus:
|A                                 |
 Tell me to press (Never like this)
|C#m                            |F#m
 . Right there (Never like this, . . never like this)
         |D                               |
 When you feel the stress (Oh, oh, oh, oh)
|Bm
 Oh, c'mon now (Never like this)
          |A
 Won't you tell me to press (Never like this)
          |C#m                                |
 Well, you tell me to press (Never like this)
|F#m                                |
 . Oh, right there (Never like this)
|D                                |
 A-that's it, yes (Oh, oh, oh, oh)
|Bm
 Yeah, yeah (Never like this)
          |A                              |
 Won't you tell me to press, press, press

Interlude (muted):
| A | A | A |A                |A                        | A | A |
             . . . . Won't you just-a tell me to press
    |A                     |A
 Oh, feels so good like you knew that it should (Never like this)

Outro:
        |A                                 |C#m               |
 Oh, you tell me to press (Never like this, . never like this)
|F#m                                    |
 . A little bit higher (Never like this)
|D
 Woo, that's right (Oh, oh, oh, oh)
             |Bm
 Oh, when you feel the stress (Never like this)
    |A
 Oh, baby now press (Never like this)
  |C#m
 A little bit harder (Never like this)
  |F#m
 A little bit higher (Never like this)
      |D                                |
 And a little bit wider (Oh, oh, oh, oh)
|Bm
 C'mon now (Never like this)
          |A                                 |
 Won't you tell me to press (Never like this)
|C#m
 . Right there (Never like this)
|F#m
 . That's it (Never like this)
|D
 . That's it (Oh, oh, oh, oh)
            |Bm
 When you're feelin' the stress (Never like this)
        |A                                 |C#m               |
 Oh, you tell me to press (Never like this, . never like this)

 (Fades out)


Charted by Dexex

I write chord charts for my own use as a rhythm guitarist. I don't
claim they are the "right" way. They're not intended to be taken
as tabs which notate exactly how a song was played on a recording.