[ Предположительная тональность: G ] 10 8 10 8 12 10 6 5 -|-|-|-|-|- -|-|-|-|-|- -|-|-|-|-|- -|-|-|-|-|- -|-|-|-|-|- -|-|o|-|-|- -|-|o|-|-|- -|-|-|-|-|- -|-|o|-|-|- -|-|o|-|-|- -|-|o|-|-|- -|-|-|-|o|- -|-|-|o|-|- -|-|-|o|-|- -|-|-|o|-|- -|-|-|o|-|- -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|-|- -|-|-|-|-|- -|-|-|-|-|- -|-|-|-|-|- I C D(I) A 7 9 6 9 7 7 5 9 7 -|-|-|-|-|- -|-|-|o|-|- -|-|-|-|-|- -|-|-|-|o|- -|-|o|-|-|- -|o|-|-|-|- -|-|-|-|-|- -|-|-|-|o|- -|o|-|-|-|- -|-|-|o|-|- -|-|o|-|-|- -|-|o|-|-|- -|-|-|o|-|- -|-|-|o|-|- -|-|-|o|-|- -|-|o|-|-|- -|-|-|-|o|- -|-|-|o|-|- -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|-|- -|-|-|o|-|- -|-|-|-|-|- -|-|-|-|o|- II Bmin 7 A(I) III (some kind of E chord) 9 7 7 5 7 5 9 7 -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|o|- -|-|o|-|-|- -|-|-|-|o|- -|-|o|-|-|- -|-|-|-|o|- -|-|o|-|-|- -|-|o|-|-|- -|-|o|-|-|- -|-|o|-|-|- -|-|-|o|-|- -|-|o|-|-|- -|-|-|o|-|- -|-|o|-|-|- -|-|-|-|o|- -|-|o|-|-|- -|-|-|-|o|- -|-|-|o|-|- -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|o|- B D (2 fr.) A (2 fr.) Em9 5 3 4 2 5 2 -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|o|- -|o|-|-|-|- -|-|o|-|-|- -|-|o|-|-|- -|-|o|-|-|- -|-|o|-|-|- -|-|o|-|-|- -|-|-|-|o|- -|-|o|-|-|- -|-|-|o|-|- -|-|-|o|-|- -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|o|- C (2 fr.) Bm9 IV 10 8 12 10 12 10 5 4 -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|-|- -|-|o|-|-|- -|-|-|-|o|- -|-|o|-|-|- -|-|-|o|-|- -|-|o|-|-|- -|-|o|-|-|- -|-|o|-|-|- -|-|-|o|-|- -|-|-|o|-|- -|-|o|-|-|- -|-|-|o|-|- -|-|-|-|o|- -|-|-|-|o|- -|-|o|-|-|- -|-|-|-|o|- -|-|-|-|-|- -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|-|- C G (2 fr.) D(III) V 7 6 10 7 7 5 5 3 -|-|-|-|-|- -|-|-|-|-|- -|-|-|-|o|- -|-|-|-|o|- -|-|-|o|-|- -|o|-|-|-|- -|-|o|-|-|- -|-|o|-|-|- -|-|-|o|-|- -|-|o|-|-|- -|-|x|-|-|- -|-|x|-|-|- -|-|-|-|o|- -|-|-|-|o|- -|-|o|-|-|- -|-|o|-|-|- -|-|-|-|-|- -|-|-|-|-|- -|-|-|-|o|- -|-|-|-|o|- -|-|-|-|-|- -|-|-|-|-|- -|-|-|-|o|- -|-|-|-|o|- VI VII VIII IX (A suspended something) (same thing with G) 5 3 -|-|-|-|o|- -|-|o|-|-|- -|-|o|-|-|- -|-|-|o|-|- -|-|-|-|o|- -|-|-|-|o|- G(I) I I II II Morning comes, she follows the path to the river shore. I I II II Like the sun, her song is the latch on the morning's door. I C(I) See the sun sparkle in the reeds; I C(I) Bm9 7 D(I) Silver beads fasten to the seeds. D(I) D(I) A(I) A(I) She comes from the town where she's known as the woodcutter's daughter, A 7 A7 D(I) D(I) She's brown as the bank where she kneels down to gather her water, D(I) D(I) Bm9 7 She bears it away with the love that the river has taught her. I I C(I) III Let it flow, let it flow, wide and clean. I I II 'Round and 'round, the cut of the plough and the furrowed field I I II Seasons 'round, the bushels of corn and the barley meal I C(I) Broken ground, open and beckoning I C(I) Bm9 7 D(I) To the stream, black dirt live again! D(I) D(I) A(I) A(I) The ploughman is broad as the back of the land that he's sowing A 7 A 7 D(I) D(I) As he dances the circular track of his plough ever knowing D(I) D(I) Bm9 7 That the work of his days measures more than just the planting and growing. I I II III Let it grow, let it grow, let me heal. -REFRAIN- III B D (2 fr.) A (2 fr.) Em9 What shall we say, shall we call it by a name? C (2 fr.) G(I) Bm9 As well to count the angels dancing on a pin. III B D (2 fr.) A (2 fr.) Em9 Water bright as the sky from which it came D (2 fr.) A (2 fr.) Its name is on the earth and takes it in G(I) IV Em9 D (2 fr.) It will not speak but stand inside the rain. C (2 fr.) G(I) Bm9 Em9 Listen to the thunder shout I I C(I) I Am, I Am, I Am III I Am. -INSTRUMENTAL (follows chords of first verse once through) *then* I I II II So it goes, we make what we make since the world began, I I II Nothing more than the love of woman, and the work of man. I C(I) Seasons 'round, creatures great and small, I C (2 fr.) Bm9 7 D(I) Up and down, as they rise and fall D(I) C G (2 fr.) D(III)(play twice as long as D(I), Rise and fall. then continue the pattern of the last three chords for a while until)... I I I II (repeat three measures of I, one measure II another while until) ... V VI VII, V VI VII, V VI VII VII (jam on this for awhile, then) VIII A (2 fr.) IX G (2 fr.) (repeat 4X) III III -REFRAIN- The final jam is just like the first, only it starts from the I I I II part, ending with a slow fade on the III chord. Sorry for making you read and print this twice. CHINACAT