[ Предположительная тональность: F#m ] --------------------------------------------------------------------------- Welcome to the Room ... Sara - Fleetwood Mac --------------------------------------------------------------------------- Tabbed by: maguri Tuning: Standard Fleetwood Mac Welcome to the Room ... Sara (1987) (Nicks) From: "Tango in the Night" The recording is a little sharp. To play along to the original, you'll have to tune up. --------------------------------------------------------------------------- CHORDS E-A-D-G-B-e Asus2 x-0-2-2-0-0 A5 x-0-2-2-x-x G6/9 3-x-0-2-0-0 Asus2/F# 2-x-2-2-0-0 B5 x-2-4-4-x-x C#5 x-4-6-6-x-x D5 x-5-7-7-x-x --------------------------------------------------------------------------- INTRO | A Asus2 | A5 | A Asus2 | A5 | | G6/9 | % | Asus2/F# | % | VERSE E It's not home F# And it's not Tara E G#m In fact, do I know you F# [E] Have I been here before E This is a dream, right G#m F# Deja Vu E G#m Did I come here on my own F# Oh I see CHORUS | A Asus2 | A5 | | A Asus2 | A5 | Welcome to the room Sara for Scarlett G6/9 Asus2/F# Welcome to the choir, sir VERSE E Ooooh F# Missionary E G#m Well, I will be different F# When I get back E G#m And you can take all of the credit F# E You say everything's fine, baby G#m F# But sometimes at night CHORUS | A Asus2 | A5 | | A Asus2 | A5 | Where the first cut is the deepest one of all G6/9 Asus2/F# (Scarlett) The first cut is the deepest one of all - And the second one | A Asus2 | A5 | Well it's a worthless thing, so | A Asus2 | A5 | G6/9 Asus2/F# Take it aaa-aaall the way back home, take it home MIDDLE 8 B5 C#5 D5 B5 Ooh, downstairs where the big old house is mine C#5 D5 Ohh, upstairs where the stars laugh and shine B5 C#5 D5 Oh, oh well I thought that you were mine E E | E | % | Well I thought that you were mine (thought that you were mine) CHORUS (coda) | A Asus2 | A5 | A Asus2 | A5 | Welcome to the room Sara, Sara (for Scarlett) G6/9 Welcome to the choir, sir Asus2/F# Well of course it was a problem (for Scarlett) | A Asus2 | A5 | Front line baby | A Asus2 | A5 | Well you held her prisoner and after all these years G6/9 Well, as well as you knew her (Welcome ...) Asus2/F# | A Asus2 | A5 | In the never forgotten words of another one of your friends | A Asus2 | A5 | G6/9 In the never forgotten words of another one of your friends, baby Asus2/F# | A Asus2 | A5 | When you hang up that phone, well you cease to exist | A Asus2 | A5 | Welcome to the room Sara G6/9 Welcome ... (fade out)